The dialogue
who settles
between the model
and the photographer
front, during and afterwards
the sitting conditions quality
and spontaneousness
images,
as well as the emotion presents in the photograph.









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"the idea that it is necessary to learn how to see, as one learns how to read, never comes to anybody." E.T Hall
Workshop close-up
"the rhetoric of the close-up"
- 5 participants by maximum group
- No experiment of the portrait is required.
- Lighting natural Light or Tungsten
So that everyone can "shooter" while one participants directs the model in turn
- model and make-up girl
- an assistant and myself...
Contents: "the points which could be approached
... at the request of the participants "
Techniques of Catch of sight of the Portrait.
A first approach of the various figures rhetorics of the portrait.
Speed, diaphragm, focal distance, sensitivity...
Souces luminous, reflectors...
framing, the point of view, the distance...
Stylism, make-up, hairstyle...
to direct a model.?
to make a setting in scene?
Stolen portraits "",...?
To seize the character?
specificities of the photograph of beauty....
Which choices for which results?
The photographers bring their material, to envisage a foot for the long installations...: silver and digital are welcome.
(the visualization of the results during the workshop could be done only with digital cameras)
This workshop is addressed to all the photographers who control the operation of their camera.
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